上世纪70年代的苏格兰，一个略带神经质的女子贝丝（艾米丽·沃森 Emily Watson 饰）不顾宗教束缚嫁给了石油工人亚恩（斯特兰·斯卡斯加德 Stellan Skarsgård 饰）。恩爱生活并不长久，亚恩在一次石油作业中身负重伤，沦为瘫痪。贝丝非常难受，甚至觉得是自己的欲望导致了这个悲剧。为了唤醒丈夫的生命力，贝丝挑逗不同的男人，和他们发生关系，让亚恩的病情可以被情欲的力量征服。丈夫的病情竟然有了好转，然而，村里的人都对贝丝投以唾弃的目光，贝丝亦被送进精神病院。为爱牺牲的信念在贝丝心中强烈燃烧，将再一次把她逼入绝境。

红姐（冯宝宝饰）是受人爱戴的鸨母，为人四海豪迈，生平唯一的遗憾是她的女儿小玲（周慧敏饰）－电视红星方小玲因歧视其母而不愿和她相认，但讽刺的是－小玲为巩固自己的地位，不惜向有关人士出卖肉体。后在一次火灾中，红姐为救女儿身受重伤，生命垂危。红姐有一义女叫华女（刘嘉玲饰），在夜总会当小姐，因故与经理起冲突遂愤而辞职，赋闲其间在红姐处养伤，对小玲势利的态度甚为不满，二人势同水火。红姐在拉客时遇见阿玉（罗美薇饰），阿玉为完成到国外念书的心愿而接客，红姐劝其回头，但其心意已坚无法说服。绮华（陈宝莲饰）与医生男友阿海（李子雄饰）是青梅竹马，绮华为阿海下海当小姐，而阿海却与另一女医生发生感情，绮华伤心至极……

　　有些人的生活，就像手机死机，需要重启；有些人的爱情，就像手机待机，一直在线。安然偶然的一次被安排的临时出差任务，让匆忙上路的她手机没电关机了。关机失联后，她的多年好友大伟锲而不舍的寻找，加上一个满嘴忽悠的弟弟安乐，引发了一连串因她关机啼笑皆非的事件……
　　牵出了安然男友吴子杰劈腿女闺蜜，大伟轻信恶作剧的“绑匪”电话而四处筹钱，安妈被惊吓入院，安乐怒火攻心误伤“小三”，大伟与子杰大打出手，以及因大伟上公司闹而导致的安然工作被停职，关机24小时后，安然的人生一下从winner变成loser……

与男友吵架负气出走的罗雪来到深山民宿散心，却无意撞破一桩凶案，而凶案的制造者是一对看起来人畜无害的少男少女。 　　担心消息走漏，这对诡秘男女将罗雪囚于阁楼中，随着罗雪的“男闺蜜”苏文的介入，事情变得越来越不可收拾，真相也逐渐露出水面……

　　江湖门门主纳兰容若为擒获掳掠女子的江北三魔设计引蛇出洞，关键时刻却被离魂症发作的桂仲明干扰导致计划失败。冒浣莲和桂仲明在帮助纳兰容若一起擒拿江北三魔途中，冒浣莲被掳到鬼村。在鬼村中桂仲明知晓了自己本是五龙寨的少主的事，同时被三魔之首郝玉凤追杀，幸而纳兰容若相救。在桂仲明回到剑阁寻找记忆时，同行的辛龙子启动火舌机关，机缘巧合之下冒浣莲发现了五龙寨圣地的地图。桂仲明用腾蛟剑打开圣地大门，郝玉凤却突然杀出，道破辛龙子身份，同时被辛龙子反杀。辛龙子以假死之计夺得七情花，纳兰容若放弃救治妻子的念头，而桂仲明也没能治好离魂之症，冒浣莲选择一直守护在其身边，不离不弃。

　　天空城之战后，羽皇风刃向人族发动战争。兵至凉州城下，眼看人族已无力翻盘，女爵方祈舞试图经由时光机器“流年转”回到过去，附身于风刃最爱的王妃南音梦，杀死年轻的风刃来扭转战局。然而当她在另一个时空醒来的时候，却被告知风刃已死！方祈舞坚信风刃的死亡只是个谣传。而更令人意外的是，她的意识竟然附到了人族第一美人——和亲公主红鸾的身上。她只能顺利抵达十日后和羽太子风启的婚礼，因为在史书的记载上，风刃会在婚礼上奏琴。 一路上方祈舞得到一名自称南风的少年的保护，在这短短的十日中，方祈舞和南风暗生情愫。这一对同样爱好音律的异时空男女共同谱下一曲《音梦》。然而就在琴谱写就的当晚，方祈舞发现了南风的真实身份……

　　姜喜宝（郭采洁 饰）出生在一个贫困的家庭之中，从小到大她吃尽了贫穷的苦头，对于金钱有着格外强烈的渴望。一次偶然中，姜喜宝在飞机上结识了名为勖聪慧（李彦漫 饰）的女孩，并且得知勖聪慧是衔着金汤匙出生的千金小姐。聊得格外投机的两人很快就成为了好朋友。
　　通过勖聪慧，姜喜宝和她的父亲勖存姿（张国柱 饰）相识了。勖聪慧本想撮合喜宝和自己的哥哥勖聪恕（曹恩齐 饰），哪知道喜宝身上散发出来的魅力竟深深吸引了勖存姿。抵挡不住勖存姿的金钱攻势，喜宝沦陷成为了他的情妇。虽然经济上得到了极大的满足，但喜宝很快就再度被灵魂的空虚所吞噬。

电影《战国之无艳》构建了一个全新的战国英雄宇宙，鬼谷子座下四大弟子孙膑、庞涓、苏秦、张仪，分别持“王道”、“权术”、“征伐”、“忠勇”四大名剑构建了一个甲子，整整六十年的战乱中的平衡，但作为鬼谷子唯一女徒的钟无艳将持最平庸的“百姓之剑”，为爱，天下苍生而战，打破这场百年 动荡

　　落寞的青年亚历克斯（德尼·拉旺 Denis Lavant 饰）独自徘徊巴黎街头，他的女友移情别恋，不久又要去服兵役，钟爱的电影事业前景模糊。偶然机缘，亚历克斯进入一个私人聚会，并结识了美丽的女孩蜜蕊拉（蜜蕊拉·皮雷 Mireille Perrier 饰）。蜜蕊拉此前与男友伯纳情深意笃，为了爱情她甘愿奉献一切，这却让对方无法承受如此炽烈的感情，只能选择逃避。相同的境遇让他们走到一起，互诉各自的情感经历，两人的心由此更加贴近。亚历克斯和蜜蕊拉相互依偎，空气中弥漫着悲伤无望的气味……
　　本片为莱奥·卡拉克斯（Leos Carax）导演处女作，并荣获1984年戛纳电影节青年奖。

　　查理（伊恩·基思 Ian Keith 饰）爱上了厨师的女儿艾玛（科琳·格里菲斯 Corinne Griffith 饰），然而，这段感情是注定不会受到众人的祝福的，为了避免东窗事发，查理将艾玛送到了自己的叔叔汉密尔顿（HB·沃纳 H.B. Warner 饰）家。
　　没过多久，艾玛就识破了查理的谎言，明白自己其实是被后者无情的抛弃了。绝望和愤怒之中，她决定嫁给一直对自己很好的汉密尔顿，可是这段仓促的婚姻很显然并不能给艾玛带来真正的幸福。一天，艾玛结识了名为尼尔森（维克特·凡科尼 Victor Varconi 饰）的军官，为了能够让尼尔森在港口同拿破仑的军队交战，艾玛不惜抛头露面四处奔走，一来二去之间，两人相爱了。

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.