简介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

简介：

A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental death', our crafty killer discovers that his late wife's 'fortune' is not what he thought it was. Driven to find another unsuspecting spouse; he discovers that his new bride, a widow, is no fool. When she tells him that she intends to keep her accounts separate from his, he is driven to contemplate murder once again

简介：在一场冠军杯足球赛中，一个狙击手让观众席瞬间大乱。这部影片获得金奖提名，在70年代成为记录社会颂扬暴力的代表之作。

简介：In London, the pregnant wife of an industrialist falls down the stairs, loses her sight and has no recollection of the events but suspects that a mentally traumatic experience prior to the fall caused her accident.　　Psyche 59 is a 1964 British drama film directed by Alexander Singer and written by Julian Halevy. It is based on the 1963 novel Psyche '59 by Françoise des Ligneris. The film stars Patricia Neal, Curd Jürgens, Samantha Eggar, Ian Bannen, Beatrix Lehmann and Elspeth March. The film was released on 29 April 1964, by Columbia Pictures.

简介：

简介：

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

简介：

简介：When a famous doctor kills his adulterous wife, he is defended by his best friend, an attorney--who suspects that his own wife is having an affair.

简介：比Rebel Without A Cause，The Wild One 更加猛烈的对50年代青少年问题的展示。美国的青年们在电影院里就开始造反了，导致Blackboard Jungle被全国禁映。　　最摇滚镜头：理想主义的老师Richard Dadier与帮派头目Artie West的正面冲突：“我说把作业拿过来。”“我说‘为什么？’“

简介：After the death of her daughter, Julia Lofting, a wealthy housewife, moves to London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.…

简介：

Late one night, two young toughs hold hostage the passengers in one car of a New York subway train.

简介：这部电影根据真实事件改编，讲述了加拿大的圣文森特天主教孤儿院，教会神父对十岁的凯文和其他孩子们进行性虐待的故事。这个事件浮出水面后警方开始进行调查，丑闻才得以公布于众，而当地宗教和政治团体却始终保持沉默。

简介：Lady Mary Lasenby is a spoiled maiden who always gets her way until shipwrecked with her butler, then learns which qualities are really admirable in a person.

简介：这是独立制片人格雷格.莫托拉的首部剧情长片，故事并不复杂，马洛尼家族中自认为婚姻美满的妹妹莉莎无意中发现一封写给她丈夫的情书，于是大家开始在全纽约帮她捕捉情作者。但结果出乎大家的预料，涉嫌这个家族成员的绯闻一个接一个地被揭露出来，局部战争变成了核大战。再查下去，大有无一幸免之势。整部影片的全班人马都是各自为政的独立电影人，从导演到演员都曾以自己的作品在各个电影节亮相或获奖，男主演曾于1996年自编自导演了一部影片《大夜》（Big Night）

简介：

简介：《魔像传说》是一部适合家庭观赏的冒险故事，讲诉了桃栗象是驼重物的牲畜，在人类的压迫下过着艰辛的日子。然而在偶然的机会下，故事主人翁莫斯里在儿子的要求下，前往了一个带有远古的秘密的山洞，发现原来桃栗象最初并非四脚爬行被奴役的动物，而是有手有脚且直立走路的雄伟生物。这可能吗？直立象真的存在英勇的莫斯里决心探索这秘密，但紧追其后的赏金猎人是否会先将他擒下？莫斯里与他可爱的儿子璐儿必要学会面对他们的恐惧，面对他们的挑战，解开这能改变命运的谜。

简介：

比尔博•巴金斯是100多岁的哈比人，住在故乡夏尔，生性喜欢冒险，在年轻时的一次探险经历中，他从怪物咕噜手中得到了至尊魔戒，这枚戒指是黑暗魔君索伦打造的至尊魔戒，拥有奴役世界的邪恶力量，能够统领其他几枚力量之戒，在3000年前的人类联盟和半兽人大军的战役中，联盟取得了胜利，并得到了至尊魔戒，数千年的辗转后，魔戒落到咕噜手中，被比尔博碰巧得到。 因为和魔戒的朝夕相处，比尔博的心性也受到了影响，在他111岁的生日宴会上，他决定把一切都留给侄子佛罗多(伊莱贾•伍德 饰)，继续冒险。 比尔博的好朋友灰袍巫师甘道夫（伊恩•麦凯伦 饰）知道至尊魔戒的秘密，同时，黑暗魔君索伦已经知道他的魔戒落在哈比族的手中。索伦正在重新建造要塞巴拉多，集结无数的半兽人，准备以大军 夺取魔戒，并且征服全世界。 甘道夫说服佛罗多将魔戒护送到精灵王国瑞文希尔，佛罗多在好朋友山姆、皮平和梅利的陪同下，在跃马旅店得到了刚铎王子阿拉贡的帮助，历经艰难，终于到达了精灵王国。 然而，精灵族并不愿意保管这个邪恶的至尊魔戒，中土各国代表开会讨论，达成意见，准备将至尊魔戒送到末日山脉的烈焰中彻底销毁，佛罗多挺身而出接受了这个任务，这次，陪伴他的除了三个好朋友，还有甘道夫、阿拉贡、精灵莱戈拉斯（奥兰多•布鲁姆 饰）、人类博罗米尔、侏儒金利。 一路上，魔戒远征军除了要逃避索伦爪牙黑骑士和半兽人的追杀之外，更要抵抗至尊魔界本身的邪恶诱惑，前途困难重重。

简介：

薇拉·菲利普斯（凯拉·奈特莉 Keira Knightley 饰）和凯特琳·托马斯（西耶娜·米勒 Sienna Miller 饰）在对天才诗人迪伦?托马斯（马修·瑞斯 Matthew Rhys 饰）爱的沦陷中构筑着深厚的友谊。一方面，薇拉是托马斯青梅竹马的灵魂之友，初恋 相逢却终因托马斯的无法专情而嫁给军官威廉姆·克里克（希里安·墨菲 Cillian Murphy 饰）。在威廉姆出征期间用着他的军人津贴来维持托马斯花天酒地的巨大生活开销。另一方面，凯瑟琳是对托马斯不离不弃的妻子，虽然被托马斯的滥情一次又一次的伤害折磨，却始终深深爱着他。薇拉，凯瑟琳，托马斯三人就这样在战乱的年代保持着令人不解的暧昧关系，直到从前线归来的威廉姆听闻了薇拉和托马斯的绯闻，盛怒之下将枪口指向了托马斯…. 　　该片改编自英国天才诗人迪伦·托马斯的生平事迹。该片获英国威尔士电影电视...

简介：影片是根据英国著名戏剧家克里斯多夫．马罗的同名戏剧改编。16世纪的英格兰国王冷落王后，竟然公开地和自己的同性爱人展开种种惊世骇俗的爱恋行为，使得整个王国的统治陷于崩溃，面临瓦解。有先见之明的王后最后使出心狠手辣的毒招，阻止了这场灾难的来临用“高度概念化”来形容这部影片仍不能确切表达它的复杂性。Jarman以现代性别政治的眼光改写了16世纪Christopher Marlowe的戏剧。故事围绕Edward国王公开的同性恋行为展开，并不是发生在奢华的历史环境中，影片场景使用了光秃秃的墙壁，肮脏的地板，演员也身穿时髦装束。Jarman还充分发掘了Marlowe原作中所有同性恋的潜台词，并将其作为表达重点。他使用了原作的对白，但将这个戏剧性的故事与当代对同性恋的压制及同性恋者的抗争混合在一起。影片没有确切的时代，多数时间里各个年代的情形交错在一起。

简介：史蒂芬（德克·博加德 Dirk Bogarde 饰）出生在一个非常普通的家庭之中，凭借着自己的智慧和能力，他不断的向上爬，并且最终成为了英国牛津大学的教授，可以这么说，史蒂芬现在所拥有的一切，都是他一点一点亲手为自己挣来的。一次偶然中，史蒂芬撞见了自己的同事查理（斯坦利·贝克 Stanley Baker 饰）和一个名叫安娜（雅克利娜·萨萨尔 Jacqueline Sassard 饰）的女生之间的私情。　　安娜的身份十分的尊贵，是一国之公主，并且已经有了未婚夫威廉（麦克尔·约克 Michael York 饰）。一场车祸中，威廉不幸去世，史蒂芬救了安娜一命，出于报复的心理，他强行占有了安娜。

简介：

Ben Campbell（吉姆·斯特加斯 Jim Sturgess 饰）有着惊人的才华，身为麻省理工高材生的他学业无懈可击，他亦毫无意外地赢得了哈佛医学院的录取通知书。然而30万的高昂学费和生活费令他的大学梦摇摇欲坠。在争取奖学金的面试中，教授对他说胜出者必须要有过人的经历而不是像本这种一张白纸的学生。 Ben在一服装店打工，挣取每小时8美元的薪酬。同时和两个好友准备竞赛2.09以期获得认同和奖金。数学课上本的天才头脑被教授Mickey Rosa（凯文·史派西 Kevin Spacey  饰）发现，Mickey 希望本加入自己的21算法团队，专门去赌场依靠算牌赢得大钱。Ben并不同意，但Ben一直暗恋的女孩Jill Taylor（#凯特·波茨沃斯 Kate Bosworth 饰）也出面诱惑时，Ben开始动摇。 Ben开始了严密的训练，出师的成功让Ben尝到了金钱、虚荣、欲望的权力。同时他和旧友开始疏远，渐渐迷失在赌场的漩涡里。©豆瓣

简介：1928年美国洛杉矶，在电话局接线台工作的克莉斯汀•柯林斯（Angelina Jolie 安吉莉娜•朱丽 饰）独自抚养儿子沃特（Gattlin Griffith 加特林•格里菲斯 饰），母子的生活简单而幸福。然而她们的生活很快被打乱，某天当克莉斯汀下班后，发现儿子不见踪影。　　在公众的舆论压力下，腐败的洛杉矶警方于5个月后找回沃特，但克莉斯汀发现这并非自己的亲生儿子。她三番五次要求警方澄清事实，帮其寻找真正的沃特，却一次次受到阻挠和指责，甚至以妨碍警方公务的罪名被送入精神病院。一向以揭露警方暴行为己任的牧师古斯塔夫•布里格拉伯（John Malkovich 约翰•马尔科维奇 饰），为了这个可怜女人的不幸遭遇奔走呼告。　　另一方面，探员莱斯特（Michael Kelly 饰）在侦办一件偷渡案时，无意中发现了一起重大的连环儿童杀人案。少年沃特的失踪案似乎渐露眉目……

简介：英国贵族小姐萨拉•阿什莉（妮可•基德曼 Nicole Kidman 饰）孤身飞跃重洋打算说服丈夫卖掉牧澳洲场重返英伦。在澳大利亚北部港口城市达尔文，萨拉相遇牧牛者卓（休•杰克曼 Hugh Jackman 饰）。卓开车带萨拉长途跋涉前往牧场，没曾想只见到萨拉新亡丈夫的尸体。悲痛的萨拉本欲迅速卖掉牧场，可又为了保护初谋面的土著小孩诺拉（布兰登•沃特斯 Brandon Walters 饰）与地头蛇的农场经理尼尔•弗莱彻（大卫•温汉姆 David Wenham 饰）闹翻。一千五百头公牛要赶去达尔文港装船，萨拉只好求卓帮忙。牧牛之旅让萨拉与卓情定澳大利亚。婚后二人耳鬓厮磨不久，卓的流浪个性使其离开萨拉继续牧牛；而本该进行澳洲土著成人出走礼的诺拉则与其他混血儿童一起被抓入教士岛，祖父“乔治王”（大卫•盖尔菲利 David Gulpilil 饰）也入狱。与此同时二战爆发，日军轰炸达尔文港，河山破碎，萨拉的家庭危机还能否解决？　　本片被提名奥斯卡最佳服装设计奖。

简介：

当他们第一次见面，他是高谈阔论的有志青年，她是向往成为名演员的未来之星。而如今，婚后的他们变了。在一次演出后，丈夫弗兰克与妻子爱波大动肝火，两人多年的积怨终于爆发。莫非婚姻真的躲不过七年之痒？悲痛的爱波整理照片，发现弗兰克年轻的照片，想起他曾经描述的“美好的巴黎”，她提出了一个计划“全家搬到巴黎”，以拯救这个家庭。但是，这看似遥不可及的计划，却成为了催化剂，将两人推向婚姻更痛苦的深渊。