大侦探1988
4.0 |09月28日 |HD
简介:

  民国初年,大珠宝商沈达先生无病暴亡,悲痛至极的沈少爷终日守候在父亲灵前。深夜,一把带着黑帖的匕首飞入沈府灵堂,帖上写着:"沈少爷,断指团三日内来取人心!"第二天,沈府老管家请来函大侦探杜义甫和他的女儿石楠。第三天,在外埠上学的沈小姐赶回来奔丧。在父亲生前的朋友、商会孙会长的劝说下,沈少爷陪妹妹到墓地凭吊父亲,结果遭到匪徒的枪击。在医院,沈府上下围着"死去"的沈少爷恸哭不已,而孙会长却用充满怀疑的双眼死盯着沈少爷苍白的面孔。这一切都被化装成医护的杜义甫看在眼里,于是,他求助军界朋友王营长,以绑票形式将孙什么关押。几天之后,杜义甫从逐渐康复的沈少爷口中得到重要线索。原来,沈达先生有一颗稀世之宝--八窍珠。沈达死后,沈少爷不发现宝珠已被人偷换了,他意识到父亲的死定与宝珠有关,就把自己的怀疑告诉了孙会长,从此,灾难接二连三落在他头上。杜义甫断定这是二桩窃取国宝的大案,除断指团外,还可能牵扯到政界的一些大人物,最为可疑的是财政厅长吴锡仁。吴锡仁有至双胞胎儿子,弟弟安邦是个善良的大学生;哥哥定国却是个纨绔子弟。此时,继指团的人盯上了吴定国。杜义甫推断吴锡仁很可能就是那个暗害沈达,偷换宝珠的人。事实果然如此,吴定国携宝珠潜逃途中被断指团杀死,石楠又从断指团手中将宝珠夺了回来,令双方始料不及的是,这却是一颗假宝珠。断指团被激怒了,他们暗杀了孙会长,绑架了沈小姐,并将吴锡仁押进租界区G国商人鲁斯的住所。深夜,杜义甫潜入鲁斯卧室截走了八窍珠。然而这次行动却导致杜家被抄,沈少爷再次失去宝珠,石楠为救父亲身陷囹圄,杜义甫险些丧命。一个神秘的电话使大侦探再次抓住有利战机,从鲁斯手中夺回了八窍珠。在归家途中,杜义甫遇上了一位白发老人,原来他就是16年前被害入狱的断指团创始人崔毅,而石楠就是他的亲生女儿。案子终于了结了,可等待大侦探的却是一张通缉令。杜义甫毅然将那颗宝珠沉入深潭,告别了义女石楠,从此出家隐居。

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简介:Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide  The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson  my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
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工人,农民
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