电影魔术师:奥逊·威尔斯
4.0 |2025年09月28日 |HD中字
简介:
威尔斯是一个罕见的多面手,广播剧、舞台剧、电影电视和广告,都干得非常好,他还懂魔术等杂七杂八的东西,这是一个深刻理解了各种媒介本质属性的艺术家,所以不管他决定干哪样,都注定将是划时代的,而电影是当时能给他提供最大空间和想象力的艺术。他的处女作《公民凯恩》被誉为是电影史上最经典的电影。  他是一个富裕之家的次子。十八个月的时候,就有心理学家宣称这是个天才,母亲教他读莎士比亚作品,从小又练习绘画、钢琴和小提琴。他还从父亲的公司里学会了魔术杂耍的本领。  电影介绍了他的成长史与其独特的内心世界。
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中华未来主义
145
10.0
HD
中华未来主义
10.0
更新时间:2025年09月28日
主演:未知
简介:

  "Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists.
  Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora.
  With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés.
  In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further.
  By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."

7000
2016
中华未来主义
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