919
9.0

斗茶

导演:
孟卫国
主演:
杨紫,涂圣成,尔玛依娜,何翔,冀涛,兰昊宇,闫彦龙
别名:
未知
9.0
919人评分
国语
语言
未知
上映时间
未知
片长
简介:

  斗茶是中国茶文化重要的组成部分,也叫做“茗战”,它是我国古代以竞赛方式,评定茶叶质量优劣、沏茶技艺高低的一种方法,是中国古代品茶的最高表现形式。
  乐凡(涂圣成 饰)自幼在味觉上有着独特的天赋,任何经他品尝过的味道都能够持久记住。他经常利用这种天赋在茶馆里跟客人们斗茶,从来没有输过。
  乐凡迷上了美丽女孩洛凝(尔玛依娜 饰)。和洛凝青梅竹马的陆品茗(何翔 饰)竟然也是斗茶高手,而且喜欢着洛凝。于是各种较量开始上演……
  已故斗茶高人之女谢小香(杨紫 饰)用激将法令乐凡拜自己为师,悉心教导。斗茶大会进行得如火如荼,陆品茗杀入最后的决赛。决赛开始之前,乐凡克服重重困难现身赛场。
  硝烟过后,谢小香、乐凡、陆品茗代表着斗茶最高级别水平的三个家族走到了一起……

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简介:

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

1140
1981
四重奏
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