1992年，罗俄米的丈夫马达官，因为恐惧97，带着妻子和两个儿子，迁往马来西亚定居。可是，马达官不幸于三年后车祸离世，他的两个儿子继承父业，并分别娶了当地的女子路芙及小华为妻。路芙是个孤儿，自小就有发恶梦的习惯，所以她常常活在恐惧之中。再过几年，罗俄米的两个儿子亦相继死去。马来西亚经济衰退，更令她一贫如洗，罗俄米决定返回香港。小华悄然引退，唯有路芙愿意忍受贫穷，跟着她的奶奶去香港，她觉得奶奶正义并且善良。经过十年的洗礼，香港已是人面全非。
高中生校际篮球联赛开赛在即，问题少年杜青因争抢女友问题与自己异父异母的兄弟唐飞大打出手，结果阴差阳错被转校至男女比例1:15的高中就读。但是杜青嚣张的性格和目中无人的处事方式让他在学校接连遇到各种刁难。然而因为一个偶然的机会，杜青加入了校篮球队，殊不知已被卷入了另一个风波。而杜青因为常常在街头打三人制球赛，冲动的个性让他时常与人起冲突，最终因为他的任性所为受到了惩罚，而他所参加的篮球队也遇到了由于战绩不佳，面临即将解散的危机。期间，杜青陷入迷惘困惑，一度迷失了前进的方向，但最终在徐思颖及周围小伙伴的不断鼓励帮助下，在篮球精神的感染下，以锲而不舍的精神迎难而上一次又一次克服困难，赢得了一场又一场篮球赛的胜利。然而当所有人以为梦想即将成功之时，杜青却发现自己需要为当初轻狂无知所犯下的错事承担起必要的责任……
取材于曹雪芹的小说《红楼梦》。 本片取材于曹雪芹所着古典小说《红楼梦》。宁国府贾珍的妻子有两个容貌美丽的妹妹。一个叫尤二姐，一个叫尤三姐。因为家里贫穷，和母亲一同寄住在宁国府的偏院里，依靠贾府过活。贾珍和他的隔房兄弟贾琏，常常找机会调戏这两位小姨。贾珍的儿子贾蓉，虽是小辈却也色迷心窍，夹在中间混水摸鱼。有一天，依靠贾府发迹的赖大做寿唱戏，尤氏姐妹也随母亲前去应酬。这天正好由柳湘莲串演《宝剑记》，柳湘莲原是破落的世家子弟，不愿意依附豪门权贵，他学剑串戏，生活飘泊无定。尤三娟对他的人品才貌大为欣赏。正在这时，贾珍父子和贾琏，却厚着脸皮与尤三姐纠缠。尤三姐讨厌这三个坏蛋，便离开戏场到花园散步。凑巧柳湘莲也因嫌恶薛蟠的胡闹，独自在花园中解闷，两人相见之下，谈得十分投机。不料薛蟠又追到花园胡闹，柳湘莲十分恼火，就把薛蟠痛打一顿，然后逃到外乡避祸。自从花园相会以...
传说中，在马兰山的山顶上，生长着珍贵的马兰花，这种花能够给勤劳勇敢的人带来幸福。山脚下居住着王老爹（李保罗 饰）一家人，王老爹有两个女儿，大兰（王蓓 饰）好吃懒做，小兰（王蓓 饰）勤俭善良，小兰非常想要一睹马兰花的真容，为了满足女儿的愿望，王老爹决定登上马兰山，为小兰去采一朵马兰花。哪知道在山顶，王老爹一个没站稳，摔下了悬崖，幸运的是，这一幕被马郎（刘安古 饰）看见了，他救下了王老爹。 通过交谈，马郎得知了王老爹正是自己爱慕的姑娘小兰的父亲，于是以马兰花为信物，向小兰求婚，这可乐坏了王老爹，与此同时，黑心狼（董明 饰）也觊觎马兰花的魔力，开始打起了算盘。
陆志摩服务警界十年，办事鲁莽，每次都由女上司黄雪笙化险为夷，其后他发现黄鲜为人知的同性恋秘密，但他不仅为她紧守秘密，甚至成为她的爱情军师。这对工作上的冤家拍挡，竟同时发展为感情知己……
本片改编自同名韩漫，前篇将于2025年3月上映，后篇将于同年5月上映，讲述了两个帅哥争夺化妆后的女神，是一部令人心跳加速的三角关系爱情喜剧故事。主人公丽奈，因为朴素无趣的容貌在学校被欺负，不久就不去上学了。但是，与化妆的命运的相遇使她发生了巨大的变化。从零开始学习技巧，不断努力的结果，完成了谁都回头看的“女神”的大变身。 罪恶级的美丽，以及转校后辉煌的学校生活。告别过去的自己，重新开始完美的人生的丽奈，因为意想不到的意外被同班的男生俊看穿了素颜的秘密，由此展开了意想不到的波折。
故事发生在车水马龙的繁华大都市巴黎，卡洛塔（Mary Fabian 饰）是一名歌剧演员，某日，剧院之中忽然现身了神秘的幽灵，威胁卡洛塔必须放弃她在歌剧《浮士德》中的角色，并将这个角色让给一位名为克里斯汀（玛丽·菲尔宾 Mary Philbin 饰）的女子扮演。克里斯汀和幽灵之间是怎样的关系呢？ 原来，幽灵的真身是一直以来潜伏在剧院中的一名头戴面具的男子，一场意外令他的容貌尽毁，变得恐怖狰狞，无奈之下只好戴上面具，躲藏在墓地里。某日，克里斯汀的出现吸引了他的注意，他发现自己已经深深的爱上了这位美丽的女子，于是决定现身将她挟持。起初，克里斯汀十分害怕这位诡异的男子，然而，随着时间的推移，克里斯汀渐渐发现，这恐怖的幽灵亦有温柔善良的一面。
如果没有你我会怎样，资深记者小蒙，车被人撞坏，被迫开着肇事者傲凡的豪车代步，本无交集的两人却意外成为同事，在工作中两人的心越走越近，爱情本以为就这样到来，当小蒙发现傲凡接近她只是为了了解收购公司，觉得被利用的小蒙伤心欲绝，愤然辞职，决定离开这座城市，结束这段感情。然而峰回路转……
石头（苗亮 ）作为中国人民解放军一个缩影，辗转在建军史上的多个重大事件及战役中，并且与八路军女战士（宋之光）在圣地延安萌生了一段刻骨铭心的爱情，然而战争又一次无情地吞灭了那些美好与感动，石头在失去至爱的心理打击下重回战场，在那些炮火纷飞的年代里，他不惧牺牲、英勇顽强，只为让后人重拾美好、幸福与自由……
前世善良质朴的宝尊上，临危救下唐幂幂，引发惊世骇俗的缘分；今生俊逸不凡的车帅与前世遭遇不测的唐幂幂，校园重逢。唐幂幂始终念及这段恩情，想方设法甚至通过上身白玉娇，陪伴车帅左右，守护着他，唐幂幂在魔君属下郑好和大锤的利诱下，进退两难......
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
本片改编自王朔小说《过把瘾就死》。 杜小桔（徐静蕾）和王毅（佟大为）结婚后，相识、恋爱中被遮蔽在阴影里的问题全曝光在了阳光下。杜小桔认为爱情高于一切，婚姻更是爱情的立方级，“神经兮兮”地整日要王毅说“我爱你”，王毅认为爱情同请客吃饭没本质区别，结了婚爱情有或没有是一回事，最烦的事是张嘴对杜小桔说出“我爱你”。于是，杜小桔的吃醋和找茬成了一剂剂调节两人平淡婚姻生活的佐料，而她的反目和出走，则是不想让日子越流越成死水。
