艋舺

简介：首张首次在iPhone上拍摄，是在他自由的第一天，一个灰头大脚的前骗子，他挣扎着与家人重新联系，与他那险恶的过去争抢追赶他。一部坚韧不拔、大气的伦敦戏剧，从有毒的阳刚之气和责任的重担中潜入父子关系的复杂性。

简介：联邦保卫官杰克（杜夫•朗格 Dolph Lundgren 饰）转行当了私人保镖，一次，老板派他前往拯救被匪徒劫持的女儿凯西。不料匪徒火力凶猛，杰克的双眼不幸被磷弹击中了双眼，幸好凯西机智勇敢，最后才和杰克一同逃出了生天。从此杰克的双眼视力开始下降，还惧怕白光。　　杰克养伤期间，他的老板意外身亡，无依无靠的凯西只有找了杰克当监护人。杰克眼伤还没痊愈，就被迫接下了一个保护名模的任务。这个模特被一名精神失常的杀手盯上了，杰克展开了贴身保护。一场你死我活的对抗又拉开帷幕了。

简介：

一个有家室的男人，为了向家人证明自己的生存能力和男子气概，决定不负责任地前往树林中独自猎鹿。

简介：电影《少年阿超》讲述香港小调皮学生阿超改正缺点、努力学习，成为模范好少年的故事。以娱乐的手法，表现了同学间的友谊和少年见义勇为的精神，是一部真正意义上寓教于乐的电影。

简介：長崎県でガラス細工の工場を営む亮太。幼い頃に別れた父の工場を受け継ぎ、厳しい状況ながらもなんとかうまくやっている毎日。だがその一方、かつての父と同じように自身も離婚を経験し、子どもたちと会うことが出来ずにいた。定職に就かずブラブラし、虚言癖のある兄・章一の存在も悩みのタネだ。そんなある日、亮太は章一から、街で偶然父の姿を見かけたことを告げられる。信じられずにいる亮太だが、そんな折、現在の妻・友里恵に妊娠を告げられる。「お父さんになる自信、ある？」その一言で、父のいない過去をひきずったままの自分に気付く亮太。亮太は章一を信じ、ともに父を探し始める――。

简介：故事发生在1692年的马萨诸塞州，在一个地处偏远的小镇之中，生活着一群虔诚又愚昧的人们。女孩阿比盖尔（薇诺娜·瑞德 Winona Ryder 饰）是牧师的侄女，因此在镇上享有很高的声誉，凡是她说的话人们都信，凡是她做的事人们都赞成。凭借着自己的“特权”，阿比盖尔将数十名她看不惯的女子以“女巫”之名送上了绞刑架，这其中就有约翰（丹尼尔·戴-刘易斯 Daniel Day Lewis 饰）的妻子伊莉莎贝斯（琼·艾伦 Joan Allen 饰）。　　约翰一直都将阿比盖尔的狼子野心看在眼里，但由于两人之间的情人关系，他只得保持缄默，直到阿比盖尔将魔爪伸向了伊莉莎贝斯，约翰才明白事态的严重性。约翰向法官告发了阿比盖尔的罪行，然而，却没有人相信他的“胡言乱语”。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：改编自全球畅销励志作品《秘密》。故事描述独自扶养三个孩子的寡妇米兰达（凯蒂荷姆丝 饰）在一场风暴过后，雇用了一名水电工布雷（乔许卢卡斯 饰）修缮受损的住家。 在闲暇之余，布雷会与米兰达分享他的人生哲学“吸引力法则”，布雷相信只要打从心底渴望某件事物，宇宙自然会有力量助你心想事成、梦想成真……

简介：艾瑞克（约翰·马特森 Johan Matton 饰）是一名作家，有一个固定的伴侣乔娜（Linnea Larsdotter 饰），两人之间的感情十分深厚。艾瑞克和乔娜踏上了前往泰国的旅途，然而这段本该充满了欢乐和幸福的旅程却被争吵与悲伤所代替。一气之下，艾瑞克和乔娜决定分头行动。　　在旅途中，乔娜邂逅了名为大卫（埃姆雷斯·库珀 Emrhys Cooper 饰）的男子，大卫曾是乔娜青梅竹马的玩伴，这意外的重逢让乔娜回忆起了过去的往事。那边厢，艾瑞克遇见了三个背包客杰米（Timothy-Ryan O'Kane 饰）、塞西尔（Elly Han 饰）和米兰达（Astrea Campbell-Cobb 饰），四人结伴而行。在分开的这段时间里，发生的种种意外让艾瑞克和乔娜开始重新思考起了他们两人之间的关系。

简介：

讲述一对同居15年的同志夫夫，因为收容姐妹淘的一对子女，意外肩负起「为人父」的重责大任，竟让他们深陷危机的爱情，重新燃起了一线生机……

简介：

实验中学因长期教学成绩濒临倒闭，最后一学期无人愿意接手校长一职，教育局王局长无奈，只好找来初二女生薛小薇担任校长。她凭着自己一颗纯真、善良、执着的心，挑战了“潜规则”，处罚了校领导，以及众多棘手问题：维修桌椅省钱；向偏远山区穷困小学捐款；慰问敬老院老人；拒绝购买多余校服；让辍学同学返校；正确对待考试分数；教师家庭问题和学校财务公开等一系列事件，而最让她高兴的是期末考试取得了好成绩。王局长也对这次学生当校长实验性教学表示了肯定，母校顺利地保留下了学校，受到了社会各界的赞誉。这段艰辛的经历成为薛小薇一段美妙的回忆。

简介：2015年4月，伦敦哈顿花园地区的地下安全储蓄机构哈顿花园安全储蓄公司被4名老年男性盗窃。这一事件被称为“英国法律史上最大的盗窃案”，其总价值可能高达2亿英镑。