讲述一个爱情故事，设定在1980年代英格兰海滨小镇一间美丽的老电影院，展现人与人的情感联系和电影的魔力。
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
本片改编自王朔小说《过把瘾就死》。 杜小桔（徐静蕾）和王毅（佟大为）结婚后，相识、恋爱中被遮蔽在阴影里的问题全曝光在了阳光下。杜小桔认为爱情高于一切，婚姻更是爱情的立方级，“神经兮兮”地整日要王毅说“我爱你”，王毅认为爱情同请客吃饭没本质区别，结了婚爱情有或没有是一回事，最烦的事是张嘴对杜小桔说出“我爱你”。于是，杜小桔的吃醋和找茬成了一剂剂调节两人平淡婚姻生活的佐料，而她的反目和出走，则是不想让日子越流越成死水。
Don Cesar, son of Zorro, is framed for murder while visiting Spain, and becomes the whip-wielding outlaw Don Q.
阿B（周渝民 饰）是一个失意摩托车手。6年前，他因为比赛失误从此一蹶不振，连妻子方家蔚（杨幂 饰）也弃他而去。阿B拼命寻觅，毫无头绪，张贴警告逃妻告示，也没有结果。他意志消沉，借酒消愁，嗜赌成性，遭到荔父和女儿（徐若瑄 饰）指摘。幸有好友马妞（陈嘉桦 饰）为他洗衣做饭。养父雷叔（陶泽如 饰）多次劝他付出，他却心灰意懒。这时，妻子突然出现，还给阿B领来了一个6岁的儿子彬彬（小小彬 饰）。她说有事要办，所以托付他照顾，但是并没有告诉孩子阿B是他爸爸。面对昔日赌徒追讨高利贷，昔日对手尊尼（陈楚生 饰）力邀他付出的诚意，他无动于衷。但是，与彬彬相依相伴的父子情，却慢慢治愈了他的伤痛。然而，此时妻子却突然要带孩子移民美国，这让阿B措手不及……
查理（伊恩·基思 Ian Keith 饰）爱上了厨师的女儿艾玛（科琳·格里菲斯 Corinne Griffith 饰），然而，这段感情是注定不会受到众人的祝福的，为了避免东窗事发，查理将艾玛送到了自己的叔叔汉密尔顿（HB·沃纳 H.B. Warner 饰）家。 没过多久，艾玛就识破了查理的谎言，明白自己其实是被后者无情的抛弃了。绝望和愤怒之中，她决定嫁给一直对自己很好的汉密尔顿，可是这段仓促的婚姻很显然并不能给艾玛带来真正的幸福。一天，艾玛结识了名为尼尔森（维克特·凡科尼 Victor Varconi 饰）的军官，为了能够让尼尔森在港口同拿破仑的军队交战，艾玛不惜抛头露面四处奔走，一来二去之间，两人相爱了。
红姐（冯宝宝饰）是受人爱戴的鸨母，为人四海豪迈，生平唯一的遗憾是她的女儿小玲（周慧敏饰）－电视红星方小玲因歧视其母而不愿和她相认，但讽刺的是－小玲为巩固自己的地位，不惜向有关人士出卖肉体。后在一次火灾中，红姐为救女儿身受重伤，生命垂危。红姐有一义女叫华女（刘嘉玲饰），在夜总会当小姐，因故与经理起冲突遂愤而辞职，赋闲其间在红姐处养伤，对小玲势利的态度甚为不满，二人势同水火。红姐在拉客时遇见阿玉（罗美薇饰），阿玉为完成到国外念书的心愿而接客，红姐劝其回头，但其心意已坚无法说服。绮华（陈宝莲饰）与医生男友阿海（李子雄饰）是青梅竹马，绮华为阿海下海当小姐，而阿海却与另一女医生发生感情，绮华伤心至极……
阿伦（冯德伦 饰）与朋友们在沙滩上举行篝火派对，为了助兴，几人轮流讲起了鬼故事。正当大家玩兴正酣之时，一位神秘的女子突然现身，阿伦认出此人正是自己曾经暗恋的中学同学小月（陈文媛 饰），然而，当阿伦联系到小月的朋友想要寻找小月之时，却得知小月早已经死去了，阿伦所看到的，系小月的鬼魂。 小月的遗愿是将她的骨灰交给阿伦保管，可是，粗心的阿伦摔破了骨灰盒，导致小月无法投胎转世，成为了孤魂野鬼。小月告诉阿伦，在三天之内，阿伦必须按照她的要求帮助其投胎转世，否则阿伦和他的朋友们都会有生命危险。在如此短暂的时间内，阿伦能够完成任务吗？
本片以架空的仙侠世界为背景，讲述了分属人、妖不同阵营的重生和菩提为爱情与世俗和恶势力奋起抗争的感人故事。影片中，男女主人公重 生与菩提在机缘巧合之下相识、相知、相爱，却因为世俗秩序的反对和 恶势力的阻挠而无法相守。男主人公重生最初因怕麻烦而总对妖怪避而远之，但在遇到菩提、 一同经历种种波折后，逐渐变得勇敢，甘愿奉献 ,甚至为爱人舍生忘死。女主人公菩提乃人妖结合所生，体内潜藏魔性 ,但她却一心向善，并未放任成魔，即使后来被人设计堕入魔道，心中残存的善念也支撑着她一直没有放弃自我。本片以仙侠爱情为主线，并在跌宕起伏的情节中升华主题，体现了爱可以感化一切的伟大力量。
A close-knit family is disrupted when the father fails to resurface during a professional dive. No funeral, no goodbye, just a house full of memories. Burdened by the elusive loss, Merel evades her husband's death and everything related to it. Her young children become entangled in their search for answers, eventually bringing the family to a hard stand. Merel has no choice but...
本故事根据2012年52届重庆国际小姐事件改编…… 国际小姐大奖赛江城赛区前三强刚出炉，立即引发公众质疑，称长相太丑，不能代表江城美女参赛，黑幕？潜规则？公众和媒体纷纷追查事实真相，主人翁被迫陷入了舆论的漩涡。 周媛与叶茂得原是情侣，却尔虞我诈；参赛结缘的付美琴、于晓晓和赵诗琦本是好友，暗地里却勾心斗角；姚鲁本是舆论的推手，却与付美琴擦出了爱情的火花。 付美琴失踪了，而这一切，才刚刚开始……
